Audio representation of the Mayan calendar Underworld pattern

William C. Treurniet, April, 2007

As described in Carl Johan Calleman's book, "The Mayan Calendar and the Transformation of Consciousness", the Mayan calendar consists of nine embedded cycles or Underworlds, all ending on the same date. Each cycle is subdivided into 13 equal intervals or Heavens, and is embedded in the last interval of the previous cycle. Thus, the lengths of the cycles decrease exponentially from one to the next. The cycles are measured in units of tuns, which consist of 360 days.

The following is a brief description of an audio sequence that models the embedded nature of the nine Underworlds. Each Underworld is defined by a chord combination. The component frequencies and the chord durations change exponentially to model the Underworld durations. The longest Underworld is represented by a single 287 Hz tone with a duration of 2000 msec. The next Underworld is represented by the existing tone plus the addition of a second 373 Hz tone. Tones of successively shorter durations are added at times corresponding to the length of each Underworld. The last Underworld is represented by a chord of nine components with a duration of 126 msec. Table 1 shows the frequency and duration of the tone added to represent each Underworld.

Table 1. Summary of the Underworld Parameters
Underworld  Tuns per Heaven  Time per Heaven  Audio Frequency (Hz)  Audio Duration (msec) 
Universal    20 days  2340  126 
Galactic  360 days  1800  178 
Planetary  20  19.7 yr  1385  252 
National  202  394 yr  1065  356 
Regional  203  7900 yr  819  502 
Tribal  204  158,000 yr  630  710 
Familial  205  3.15 x 108 yr  485  1002 
Mammalian  206  6.31 x 108 yr  373  1416 
Cellular  207  1.2 x 1011 yr  287  2000 

Press play to hear an audio representation of the nine Underworlds. Note that the chord durations do not accurately represent the relative Underworld durations. A correct representation would require very long intervals for the longer Underworlds. For the shortest chord to have a duration of 100 msec, the entire audio sequence would need to be about 73 years long. However, the presented audio does give a feeling for the changes in relative durations, and shows how each underworld is embedded in the ends of all previous Underworlds.


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